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A new chapter of Lisa Anita Wegner's storytelling.

Filmmaker Performance Artist www.mightybraveproductions.com

Tag Archives: therapy art

“I am working on a performance film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a piece in which I tell the truth with my body. I am very excited about this work.”

After speaking at Open Show Toronto about two of my therapy videos I have become even more aware of the clear path my body of work is taking.

I created the Fictitious History of the Haus of Dada as a therapeutic art practise and the bulk of my film and performance work has stemmed from it. After using persona and then the Dada movement as parameters I now feel compelled to strip everything down and tell my story with my body. I’ll talk a bit about that in a moment.

I started here in 2008 when I was still very sick. I made this Eva and Bobby video series in my home with iMovie and started to find my voice

 

 

 

Mama Dada was going to host the installation but that didn’t feel right. Thin(k) Blank Human was born that night.

The work progressed with a library of videos like Marry The Night

A Collaboration with Steve Weiss and Leslie Barton

A solo performance at The Mod Club in Toronto

Thin(k) Blank Human: Metamorphosis is a performance piece by artist Lisa Anita Wegner (haus of dada) and musician Ray Cammaert (Pink Moth). It began as an extension of Wegner’s Trauma Therapy and represents a safe place in the search for one’s self after complete annihilation. It is both a confirmation of vitality and a call to action. The piece explores male and female layers of the neutral self and uses vibration of sound to assist in the expression of terror, hysteria, madness, resilience and joy on the journey to re-birth.

 

After this metamorphosis I realized that I will always continue to embody Thin(k) Blank Human but as for my personal artistic through line I have come through the structure of relying on artifice to find authenticity. My current work is based in realigning my chronically tight psoas muscles which have caused a leg length discrepancy and making my physical body unstable and chronically crooked. After going to a stretch class of Mary-Margaret Scrimger’s at Pursuit I understood the power of stretching my body and how I felt different immediately. Now every day I stretch for at least 10 minutes, some studio days I stretch up to three hours. In this stretching and realignment I am finding myself and who I really am as an artist without all the performance bombast that I so enjoy.

I am working on a nude performance / film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a performance to tell the truth with my body. I am very excited about this work. It’s also the first time I am not sharing as I go.

LAW

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Art Saves Lives is the first joint exhibition of Angela Chao and Lisa Anita Wegner, two visual artists whose work grew out of brain injuries they had experienced. Angela suffered a concussion at her work on a film set, while Lisa lives with post-traumatic stress disorder. lisa_angela

They connected over their art being the way out of their personal traumas, allowing them to both function and stay connected to their true selves. They share an understanding of art as something they need on a daily basis to nourish their souls, and are so simpatico on this, that they refer to themselves as each other’s “Brain Buddies.”

Angela and Lisa are eager to share their stories and their art, helping to spread awareness to others that art is a very real therapeutic option.

Come to see their show of paintings, post-production photography and collage now on display at the gallery at Richview Library: and visit their website at artsaveslives.ca.

After a concussion curtailed her first career, ANGELA CHAO discovered cranio-therapy and found herself able to think freely and begin to escape the personality and mental changes, PTSD, depression and anxiety that had plagued her since her accident. Even more exhilarating, she could sit still and accomplish things, an ability that had been taken from her. She started doodling and discovered her hidden artist, and a place where she can leave behind mental challenges and be free to create.

In her new career as an artist, she has already won an award at the Art Square gallery where her work premiered, as well as Flight Centre’s first prize of a trip to New Zealand and Australia in a competition with 1800 artists. She recently competed in Art Battle 2015, and has donated her artwork to an AIDs charity event at TIFF.  In addition, her unique story has generated coverage by the Mississauga News, Brain Injury Association and Hospital News. http://mindlessdoodle.ca/unnamed copy

LISA ANITA WEGNER is the creative producer of Mighty Brave Productions, a small award-winning multi-media production company based in Toronto. She has been exploring film, video, post-production photography and performance art for over twenty years, with an emphasis on emotional authenticity, collaboration, and – since experiencing a PTSD-related breakdown, the possibilities of art as therapy. Her work has been shown at the Phoenix Art Museum, the Art Gallery of Ontario, Gallery 1313, Moniker Gallery, Toronto Art Fair, Buddies in Bad Times, The Black Cat Artspace, NXNE Festival, Partners In Art’s ARTrageous In Motion, Scotiabank Nuit Blanche and, most recently, at the RAW Sensory show at Toronto’s Mod Club. www.lisaismightybrave.com

lisa

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Lisa Anita Wegner is a filmmaker, producer, curator and performer who is accustomed to working in small local art galleries and screening venues in Toronto Canada.  Working with established curator Patrick MacCauley, Wegner got a taste of working large-scale when she was the 26 foot tall Queen of the Parade in front of an enormous audience for Scotiabank’s 2013 Nuit Blanche.

 

 

This led to several seasons working with performance in multi media environments, exploring soundscapes as well as video. In 2014 Wegner played a lead role in a scripted film, her first in six years, acting as the Caucasian Agent in Will Kwan’s http://www.reelasian.com/festival-events/if-all-you-have-is-a-hammer-everything-looks-like-a-nail/ commissioned by Reel Asian International Film Festival. She brought her team back to create  a Ten Foot Queen of the Parade the Partners in Art Annual Fundraiser, which Wegner says felt like her coming out party, meeting the Toronto Art World.

 

“I can’t stop performing. It was a thrill to be back on a traditional film set for Will Kwan just as much as it is to don by Thin(k) Blank Human outfit and perform my deepest soul searching in my studio. I always knew I loved it but now that it’s a daily practise I truly can not stop.”

 

Wegner is known for mentoring several artists and filmmakers per season at her studio Haus of Dada, so it makes sense that she would enjoy the benefits of mentorship herself. In a recent meeting with her Anonymous Mentor Artist, Wegner was told to think bigger and focus on the Male Rockstar Swagger that she developed after STARDUST: Life on Jupiter? at The Black Cat in 2014.

And then came the magic words to Wegner’s ears,

“Follow that swagger and dream a breakout show. I can see a collaboration. There might be an opportunity soon, and I’d work with to bring it to life.”

Wegner and her team are currently preparing to lift the curtain and to prepare the world to meet Thin(k) Blank Human Faceless RockStar. Lisa Anita Wegner wants to make her mentor proud.

-Fritz Snitz for Haus of Dada *The Fictitious History of the Haus of Dada* 2015

Another project from the Haus : Lisa Anita Wegner collaborating with a five year old artist on TARGET:

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