Tag Archives: haus of dada
September 1, 2016 Canadian Performer Refuses To Show Face
In Toronto Canada, an arrogant performance artist declares themself amazing while refusing to show any facial expression.
When we reached out to the haus of dada for comment we received the following message in German via telegraph from curator Fritz Snitz. “Thin(k) Blank Human only does private performances for close friends, artists and cherished audience members and is not interested in speaking with you peoples.” -Ritzy Fritzy
Artist Would Rather Give Ownership of Her Work to Those Who Inspire, Than Those Who Can Pay.
Performance Artist’s Perceived Gender Affects Audience Reaction
Tags: art installation, art therapy, Canadian Art, dada, haus of dada, performance art, performance artist, Toronto, trauma therapy
August 12, 2016 we weren’t complete yet
Akhilanda Collaborative is a new creative collective based in Toronto Canada. It began with a circus and film collaboration for MASHUP, a Hercinia Arts Collective Event curated by Kirsten Leila Edwards. Click the link to read the story of how “the way back home” came together and who is involved.
Read about the original collaboration for a Hercinia Art Party
Here is a teaser of “the way back home” Day of Delight performance shot and edited by Tarquin Richards.
“the way back home” at Dufferin Grove Day of Delight 2016 from Lisa Anita Wegner on Vimeo.
I felt a deep therapeutic need to continue to collaborate with this group. We truly are more than the sum of our parts. When we decided to move ahead we were stuck for an organization name. It was because we were missing someone. As well as Ashley Hurlock, Tamara Arenovich, Lisa Anita Wegner and Ray Cammaert we added Mary-Margaret Scrimger. Here she is below.
And then we were complete. We immediately started a steady stream of creative projects. Live performances, large scale art installations and films. For me this is the ideal addition to my therapeutic art practise. A group who is creatively open, nurturing and understands the emotional landscape. This is work that heals me.
portrait of mary-margaret from Lisa Anita Wegner on Vimeo.
I wanted to post some teaser images and a video study from our blue screen shoot of the other day. Projects will be announced here and on our Facebook page.
https://www.facebook.com/AkhilandaCollaborative/?fref=ts
the universe in her underpants from Lisa Anita Wegner on Vimeo.
I’ll write more soon and share more about our process. I’ll also write a little about the Goddess Akhilanda. Here are a few more images of what we are up to.
Lisa Anita Wegner
Akhilanda Collaborative
Mighty Brave Productions
haus of dada.
Tags: akhilanda, art, art therapy, Canadian Art, collaborative, creative organizations, dada, haus of dada, lisa anita wegner, performance art, performance artist, ptsd, Toronto, trauma therapy
September 29, 2015 BEING: inside the glacier. Performing GLACIOLOGY with Anandam Dance Theatre
Using the movement of glaciers across landscapes as an entry point, this piece explores states of density, collaboration, collapse, overpopulation, relocation, disruption, environmental tipping points, disappeared people, mass graves, icebergs, and melting ice caps. Glaciology combines site specific performance with human sculpture and choreographic installation to create a surreal, constantly shifting image of bodies as landscape and simultaneously as capsules of history and memory; both human and geological.
http://www.scotiabanknuitblanche.ca/project.html?project_id=1568
Choreography: Brandy Leary
Sonic Designer/Composition: James Bunton
Tags: anandam dance theatre, art installation, brandy leary, Canadian Art, canadian artist, christine shaw, glaciology, haus of dada, human glacier, human sculpture, jen goodwin, lisa anita wegner, performance art, public art event, Scotiabank Nuit Blanche
- Leave a comment
- Posted under art installation ideas, art therapy
April 16, 2015 An Open Letter to Lady Gaga: from my haus to yours
Lisa Anita Wegner
Dear Gaga,
My name is Lisa and I am a filmmaker, performance artist, curator, storyteller, light bender and space/time traveller. You inspire me tremendously, and I am writing to express my appreciation for what you have sparked in my work, beginning with Queen of the Parade, my first large-scale performance/fashion/video installation and the work that put me on the map as an artist.
Rise and Fall of The Queen of Jupiter 2016
In 2008, I had hit hard times – I lost my film production company, all my savings, my heart and my mind. I collapsed getting to the Cannes Film Festival in 2008 and spent the next two years largely unable to function. In the Trauma Therapy Department of Women’s College Hospital, I found art therapy. I started a daily art-making practice that saved my life. I had gone offline and expressing myself in art and video was my lifeline, my communication with the outside world.
I remember the exact moment the idea for Queen of the Parade was born: I was walking my dogs and listening to “Marry The Night” after I had been binging on the BBC Series My Big Fat Gypsy Wedding. (I am obsessed with the gloriousness of Gypsy Fashion.)
That night, hearing your lyrics, “I won’t give up on my life/I’m a soldier to my own emptiness/I’m a winner,” affected me profoundly, and set something inside me aflame. In a flash, I pictured myself as an enormous woman in a huge dress with a video screen on the front, with your song resounding in my head. I rushed home and wrote everything down in a crazy, inspired burst. This was the first step toward the 26-foot installation that was part of Toronto’s Nuit Blanche in 2013; during the event itself, I listened to “Marry The Night” on repeat with ear buds while I was twenty feet in the air.
This led to my first commission by Partners in Art, who commissioned a gallery-sized 10-foot Queen. This was a terrific experience that enabled to connect more directly with the audience, and I didn’t want the performance to ever end.
Something was awakened in me and this led to a whole body of work of experimenting on and off the space/ time continuum and speeding up and stretching out moments. I could finally breathe; I felt like I had come alive.
My new performing persona Think(k) Blank Human was born the following Nuit Blanche in Toronto as part of my installation TRIANGLE. I found comfort in her skin, and really came out of myself as a performer.
In 2016, I will be creating The Fall and Rise of The Queen of Jupiter, which feels like the natural progression of my work. This time, I will be kicking off my high heels and putting on Thin(k) Blank Human’s space boots, and I shall rise from a pile of fabric into a 40 foot Alien Queen. Instead of strutting, I will run and dance.
This performance piece will run 33 minutes and I would love permission to use extended versions of “Marry The Night,” “ARTPOP” and “Applause” as the soundtrack for the ascension.
I am approaching Thelma Madine, the Gypsy dressmaker from the series, to design the Queen of Jupiter’s Gown, and I would love to have permission to use those three songs.
This is my story of re-invention, and I feel like this is the first piece I’m presenting that is truly me. I’ve been searching for authenticity through artifice and I finally have landed on something. I feel extremely compelled toward this project. For women who have crashed and burned and for those of us who have gotten up, I feel it is our job to inspire others to get up and stand as tall as we can. You preach this every day, and this is one of the many reasons for my unbridled admiration.
Please let me know your thoughts me using your music for The Fall and Rise of The Queen of Jupiter in 2016.
An ocean of appreciation from my Haus to yours,
Lisa
Mighty Brave + Haus of Dada, Toronto
bosslady@mightybraveproductions.com
p.s. Thin(k) Blank Human did many a cover of Marry the Night, she was so inspired.
Tags: appreciation, art installation, haus of dada, haus of gaga, inspiration, lady gaga, lisa anita wegner, marry the night, mother monster, queen of jupiter, Queen of the Parade, thelma madine, thin(k) blank human, trauma therapy
January 17, 2015 Toronto Artist Shocked When Asked to Prepare Stadium Performance by Mentor.
Lisa Anita Wegner is a filmmaker, producer, curator and performer who is accustomed to working in small local art galleries and screening venues in Toronto Canada. Working with established curator Patrick MacCauley, Wegner got a taste of working large-scale when she was the 26 foot tall Queen of the Parade in front of an enormous audience for Scotiabank’s 2013 Nuit Blanche.
This led to several seasons working with performance in multi media environments, exploring soundscapes as well as video. In 2014 Wegner played a lead role in a scripted film, her first in six years, acting as the Caucasian Agent in Will Kwan’s http://www.reelasian.com/festival-events/if-all-you-have-is-a-hammer-everything-looks-like-a-nail/ commissioned by Reel Asian International Film Festival. She brought her team back to create a Ten Foot Queen of the Parade the Partners in Art Annual Fundraiser, which Wegner says felt like her coming out party, meeting the Toronto Art World.
“Follow that swagger and dream a breakout show. I can see a collaboration. There might be an opportunity soon, and I’d work with to bring it to life.”
Wegner and her team are currently preparing to lift the curtain and to prepare the world to meet Thin(k) Blank Human Faceless RockStar. Lisa Anita Wegner wants to make her mentor proud.
-Fritz Snitz for Haus of Dada *The Fictitious History of the Haus of Dada* 2015
Another project from the Haus : Lisa Anita Wegner collaborating with a five year old artist on TARGET:
Tags: art gallery, artrageous in motion, Gallery1313, haus of dada, large scale art installation, lisa anita wegner, mentorship, partners in art, patrick maccauley, performance art, Queen of the Parade, reel asian film festival, the black cat, therapy art, thin(k) blank human, think blank human, Toronto Canada, Trauma Therapy Art, will kwan
November 13, 2014 (We Could Belong Together: Looking for) Tiny Art and A Tall Thin Man.
Call for Submissions: GALLERY1313 (http://g1313.org)
Lisa Anita Wegner, who has always loved unexpected sizing, is looking for extremely small art of any medium for TINY: a group exhibit which will on display for a month entirely in the Windowbox at 1313 Queen Street West. Please submit a jpeg with dimensions or the existing or proposed pieces.Call for Performance Artists HAUS OF DADA: (www.mightybraveproductions.com)
Looking for a tall (6’2”+) slim male performer to perform with Thin Blank Human. Send us a picture, your height and performing experience.
http://lisaismightybrave.com/2014/10/31/performance-artists-perceived-gender-affects-audience-reaction/
Please contact Matthew or Patrick at hausofdadatoronto@gmail.com with TINY or THIN BLANK HUMAN as the subject line.
Tags: curator, gallery 1313, haus of dada, lisa anita wegner, small, tall thin man, tiny art, unexpected
October 31, 2014 Performance Artist’s Perceived Gender Affects Audience Reaction
Since Nuit Blanche on October 4th 2014, artist Lisa Anita Wegner has been performing as Thin Blank Human with her face and body completely covered in a white spandex suit. She talks about the surprising experiences of her audience interactions these last weeks as she talks to Fritz Snitz.
In the weeks leading up to Lisa’s third and last Nuit Blanche installation TRIANGLE: Ascension into Another Golden Age, Lisa discovered bending light with mirror film, a practise she calls Light Painting. Her mind was blown open so wide from this discovery she never recovered. In the days leading up to the event Lisa was not able to decide on an outfit for Mama Dada/ Space Guide. Several days before Nuit Blanche it all came together when Lisa found a white spandex morph suit and she never looked back.The Thin Blank Human came to life.
Q: On the eve of your Performance/ Projection/ Sculpture installation TRIANGLE: Ascension into Another Golden Age you were interviewed by local news and walked once to The Black Cat as The Think Blank Human, with only a headset and GoPro camera her your head. Tell us about that.
A: My outfit really wasn’t coming together, and when I saw the morph suit I felt like I’d found it and I decided to put my original Space Guide outfit on a mannequin and be The Space Guide’s Soul. This also felt right for the light painting that I was excited to do. I decided I was the spirit of Mama Dada who travels through space and time. In the suit I felt comfortable and free, the only thing is I really can’t see. I had an interview with local news and I wore just the suit, the headphones and a GO Pro on my head.
I noticed during that quick interview that people stepped and leaned away from me when I approached and talked to them. And stared ay me with with open mouths. Someone on Dundas Street said “that’s a dude” as I passed. I walked once to The Black Cat from Haus of Dada and got similar reactions. The wind was cold on my body and I had an impulse to put a dress over the white morph suit for my own warmth and comfort. Without testing it in advance I put a Mama Dada dress over my suit and went back out.
I spent the rest of the night in a performing in a white morph suit and a dress and more obviously a woman I got friendly reactions and TRIANGLE: Ascension into Another Golden Age was a a wild success. That night Thin Blank Human was born.
Q: And then you performed a Strip Tease called Nothing To See Here.
A: Yes later in October I performed Nothing To See Here at The Canadian Alternative Arts Collective (of which I am proud to be a new member) and here is where the gender issue started to become interesting. That night I didn’t speak. I gestured to the writing on the back of my Flight Suit and then would do various strip tease dances out of the suit.
At first an older man said ‘You are spectacular, can I ask if you are a man or a woman?” I answered “I am a woman” and he said “really?” and stared at me longer. I said “yes my name is Lisa” and he seemed not to believe me. During this packed event I stripped out of the flight suit many times. A second man came over and said to me “If you don’t stop that, I’m going to punch you in the face.” I was surprised and responded playfully but didn’t stop. Third guy said “I don’t want to see a man strip. Stop it it’s fucking disturbing.” I said out loud “I am a woman.” I overheard another man say “that is not a woman, no woman would dance like that.” I also heard “no woman would wear that.”
Interesting. First of all who cares? These guys care. I was immediately reminded of friend and artist Steven Joseph, who was my MUSE for TRIANGLE, he is a male who is given a hard time on a regular basis by males who get angry with him for looking like a beautiful woman. 
These small examples led me to believe that I want to further experiment with gender and the morph suit. So my female body shape and female voice do not trump the idea that I’m a man. – October 27 2014.
Fritz Snitz is arranging for Lisa to perform NOTHING TO SEE HERE in New York City in 2015 following a series of performances in downtown Toronto. Tonight for Halloween Haus of Dada presents a Screening/ Performance/ Installation FREE SURGERY on All Hallows Eve where Lisa will be performing as The Faceless Dr. Wegner.
More about Thin Blank Human Artist Would Rather Give Ownership of Her Work to Those Who Inspire, Than Those Who Can Pay.
More: Performance Artist Charging Art Collectors To Think About Her
Tags: canadian, dress, gender, haus of dada, lisa anita wegner, nothing to see here, nuit blanche, performance art, strip tease, thin blank human
- 2 comments
- Posted under art installation ideas, art therapy, comedy, dada lab experiments, film and art, Love Letters
