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A new chapter of Lisa Anita Wegner's storytelling.

Filmmaker Performance Artist www.mightybraveproductions.com

Tag Archives: Gallery1313

Lisa Anita Wegner is a filmmaker, producer, curator and performer who is accustomed to working in small local art galleries and screening venues in Toronto Canada.  Working with established curator Patrick MacCauley, Wegner got a taste of working large-scale when she was the 26 foot tall Queen of the Parade in front of an enormous audience for Scotiabank’s 2013 Nuit Blanche.

 

 

This led to several seasons working with performance in multi media environments, exploring soundscapes as well as video. In 2014 Wegner played a lead role in a scripted film, her first in six years, acting as the Caucasian Agent in Will Kwan’s http://www.reelasian.com/festival-events/if-all-you-have-is-a-hammer-everything-looks-like-a-nail/ commissioned by Reel Asian International Film Festival. She brought her team back to create  a Ten Foot Queen of the Parade the Partners in Art Annual Fundraiser, which Wegner says felt like her coming out party, meeting the Toronto Art World.

 

“I can’t stop performing. It was a thrill to be back on a traditional film set for Will Kwan just as much as it is to don by Thin(k) Blank Human outfit and perform my deepest soul searching in my studio. I always knew I loved it but now that it’s a daily practise I truly can not stop.”

 

Wegner is known for mentoring several artists and filmmakers per season at her studio Haus of Dada, so it makes sense that she would enjoy the benefits of mentorship herself. In a recent meeting with her Anonymous Mentor Artist, Wegner was told to think bigger and focus on the Male Rockstar Swagger that she developed after STARDUST: Life on Jupiter? at The Black Cat in 2014.

And then came the magic words to Wegner’s ears,

“Follow that swagger and dream a breakout show. I can see a collaboration. There might be an opportunity soon, and I’d work with to bring it to life.”

Wegner and her team are currently preparing to lift the curtain and to prepare the world to meet Thin(k) Blank Human Faceless RockStar. Lisa Anita Wegner wants to make her mentor proud.

-Fritz Snitz for Haus of Dada *The Fictitious History of the Haus of Dada* 2015

Another project from the Haus : Lisa Anita Wegner collaborating with a five year old artist on TARGET:
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This is What it Feels Like: Mixed Media sculpture by Anonymous (A)

When I was brought on to Gallery 1313 to co-curate the Windowbox I was keen to bring work that is created through non-traditional means. November 2014 I am proud to show “This is What it Feels Like” by Anonymous, a woman I met in 2011 in The Women’s College Hospital Trauma Therapy Department.  She told me how therapeutic making art is for her and she is happy to have been given art making as outlet in the SPEAKArt Program.

It resounded with me when A talked about feeling inhuman, like three unstable delicate floating balls, unable to ground herself without the help and approval of other people. She feels like she’s been put together like a delicate patchwork and despite trying to cover this with normalcy, her hiding was transparent. She feels her body is a flying machine too unyielding for her to steer. Her little useless limbs hanging there, taunting her. She needs so much support just to exist it’s like she can’t stand up without support. She feels that her loins, belly and heart are blown open for everyone to see into her. I could visualize this as she was talking. I encouraged her to create the piece for herself and asked her if she would feel comfortable showing her work in The Windowbox to help start a conversation and perhaps inspire with other abused women through making and appreciating art.

 
 
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Made with tissue paper, wood, wire and found objects this piece is disturbingly beautiful and delicate self-portrait of a soul in distress.
My artist finds it hard to leave the safety of her home and wishes to remain anonymous. I fee privileged to be able to translate this piece for her. I used found objects from other projects and took the materials to her home. Through a simple papier mache sculpture A manages to evoke a feeling of a lost woman and her unhinged journey. While she is delicate, floating and blown open there is hope: a butterfly has landed on her and her third eye is open. She struggles with society, trying to fit into clothing that is far too small. And this lady is wrapped in a bridal veil, which hides her hunched back because she feels a  societal and family pressure to marry and the noose-like rope around her neck was the final touch.
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She considers herself a shut-in and blushed deep when I called her an artist. A is empowered for having made the leap to have created something from her imagination and feels it  is helping her making peace. She will be there in spirit at the Opening.
 Lisa Anita Wegner

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