Skip to content

A new chapter of Lisa Anita Wegner's storytelling.

Filmmaker Performance Artist www.mightybraveproductions.com

In 2003, when I was just starting to make films, Angela Chao was in the camera department of my first two projects. After reconnecting last year, I fell in love with Angela’s fanciful painting and drawing on social media. Angela had found art-making as therapy and I was moved by her story as well her art. Her work was bright, bold and authentic and she created endlessly and freely. And Angela herself is so sweet and authentic – I particularly love how she snaps a picture to remember all her buyers.

“Mindless Doodles” is the second therapy installation that I’ve brought to my curation at 1313. I find that this type of work resounds with me as my own art career was born in the trauma therapy art room, and my daily art practice is what keeps me functioning. Angela and I have an understanding of art as something we need on a daily basis, to nourish our souls and stay connected to our true selves. And though the stories of our traumas are so different, the way we use our art is very similar. We understand each other’s specific trauma-based needs and refer to each other as Brain Buddies; and we’re both keen to spread awareness and help others discover art as a viable option as therapy.

When the April Windoxbox  became open unexpectedly, I was thrilled that Angela was able to bring a selection of her ceramics and her “20 minute” feeling paintings to fill the window gallery at Queen Street’s Gallery 1313.

11149444_10155661205490221_5274745722192360554_n

As well as bringing her work to Gallery 1313, Angela and I have started a series of collaborations including working with my performing persona, Thin(k) Blank Human. This summer is our inaugural exhibit together for The City of Toronto, for The Pan Am/Para Pan Am Games.  Our collaborations will be under the moniker Art Saves Lives.

I invite you to come to Angela’s opening this Thursday at 1313a Queen Street West at Brock Ave. 8pm – 10pm is open to the public. If you want to come at 7pm and have a drink, you have to private message me. Angela’s work will be shown until April 28th 2015.

About the “Mindless Doodles” Exhibit:

The installation “Mindless Doodles Art Therapy” in Gallery 1313’s Window Box space for the month of April dives into the life of Canadian filmmaker, Angela Chao, who uses the term Mindless Doodles to denote the images she sees that are not pre-conceived or arranged. These doodles come straight from the emotions and sensations of her current “crazy brain,”  the result of three on-set concussions she has suffered over the past one and a half years.

After trying many types of therapy, she found HandsForHealth.ca and cranio-therapist Edwin Galeano, with whom – after just one session – Angela found herself able to think freely and begin to escape the personality and mental changes, PTSD, depression and anxiety that had plagued her since her accidents. Even more exhilarating, she could sit still and accomplish things, an ability to that had been taken from her. She started doodling and discovered her hidden artist, and a place where she can leave behind mental challenges and be free to create.

unnamed copy
In her new career as an artist, she has already won an award at the Art Square gallery where her work premiered, as well as Flight Centre’s first prize of a trip to New Zealand and Australia in a competition with 1800 artists. She recently competed in Art Battle 2015, and has donated her artwork to an upcoming AIDs charity event on May 6 at TIFF.  In addition, her unique story has generated coverage by the Mississauga News, Brain Injury Association and Hospital News,
Looking forward, Angela Chao has joined created forces with Lisa Anita Wegner in creating an organization called ArtSavesLives.ca. Their goal is to help others battling a traumatic brain injury or post-concussion syndrome discover their own unique therapy.

Angela Chao’s work can be seen at Mindlessdoodle.ca For private viewing or commission art, please contact Angela at info@mindlessdoodle.ca.

Angela + Thin(k) Blank Human

Angela + Thin(k) Blank Human

Advertisements

Tags: , , , , , , , , , , , , ,

February 23 2015 Fritz Snitz for the haus of dada

Canadian Filmmaker Performance Artist, Lisa Anita Wegner was curiously missing from the opening party of Phil Anderson’s Sex Show V at Gallery 1313 on Queen Street West.

Still from Eva Gets a Better Job (2008)

Still from Eva Gets a Better Job (2008)

This group art show includes Eva Gets a Better Job (2008) a short film of Wegner’s. The opening on January 19th was a booming success and it was a shame the artist wasn’t there.

1504523_10152731917438753_1185272810831471785_n

1654123_10152731917583753_5937199586580165604_n

11016839_10152731916038753_1673108256070382011_n

Curator Fritz Snitz announced was forced to perform  (mī′grān′) at haus of dada in Toronto and was unable to make the Gallery1313 event.   (mī′grān′) performance poster

The Following day Ms. Wegner performed as Thin(k) Blank Human “Tech Scout for The Fall and Rise if The Queen of Jupiter” at Walker Court at The Art Gallery of Ontario. Afterward she teleported to The Artist Project. Photos by Angela Chao.

IMG_2942

The Artist Project with Adrienne Dagg

IMG_2749

IMG_2768

IMG_2791

IMG_2837

IMG_2864
IMG_2834

Coming soon: Thin(k) Blank Human BadAss.
IMG_2903

Tags: , , , , , , , , , , , , , , ,

February 20 2015

TINY [a group show] was in the works for six months for the Windowbox at Gallery 1313 and as I was imagining hanging all the glorious miniature work so high and far from viewers eyes, I realized that I was lost in my own cleverness. I decided to take these twelve artists’ amazing work to a new social art space being built now. A Whisky/ Bourbon/ Expresso Bar that I will be curating next season is a good fit where I can hang it in a corner or place it in a nifty cabinet. There it makes sense. Not as clever but so much better.

As if by magic the day the March Windowbox slot was open artist Phuong Nguyen (who seems to know everyone) emailed me and asked if I’d be open to a proposal for that very space. Why yes I would Phuong, yes I would.

I immediately enjoyed artist Greg McCarthy and his work. http://www.gregmccarthy.ca/

His pieces feel free and I resonate with the artiface and playfulness combination. When I saw his set ups, I felt confident that he could craft a great idea into the unusually shaped gallery space for me. When I went to his studio and he showed me his colleagues’s work and his very open and enthusiastic attitude to his art, I knew I made the right decision. A fellow life enthusiast, he is just as stoked about other artist’s work this makes me feel comfortable.

I was tickled when the piece he wanted to bring to Gallery1313, was the very piece that I chose to post for my announcement that I was working with him. Fake snow!

Not having had a great experience in my own artistic education  (I am a  York Theatre School drop out) it was a breath of fresh air to see the Thesis Studio at OCAD and all the unbridled creativity being fostered in there. greg-studioJPG

My last two Windowbox pieces were non-traditional: collaboration with Nolan a five year old child and an Anonymous and an out-patient at Women’s College Trauma Therapy Department.  I am happy to present a dyed-in-the-wool artist, Greg McCarthy. I am proud to present his re-imagining of his piece SPECTRE.

Original Piece by GregMcCarthy

Original Piece by GregMcCarthy

The installation Spectre in Gallery 1313’s window space looks into lineages in Canadian photographic history and how they affect the present. By creating collaged and edited versions of William Notman’s original studio setups and presenting them in a way that highlights the artifice of the image, the works look to re-examine the way in which we relate to our own histories, and the role that they play in shaping the present.

 

Notman’s images and others like them are so ingrained into Canadian culture that I feel as though they are due for a second appraisal, an examination into all that they connote in a contemporary context. From the iconic images of blissful figure skaters to intrepid caribou hunters, these images not only carry with them a romanticized view of a bygone era, but a history of how many Canadians chose to be depicted in the nation’s early years. They speak to the performativity of national identity and an idealization of what it meant at the time to be Canadian.

 

Spectre takes the provisional quality of Notman’s original setups and takes it to a hyperbolized extreme, the verisimilitude of the original falls away leaving the viewer with a stripped down copy of the original, a failed attempt at recreating the past. As gallery goers pass the figure looking down on them from the window they are asked to consider the history of what they will see inside and to consider what changes will need to be made as we move forward.

Lisa Anita Wegner, curator for Windowbox Gallery1313

Tags: , , , , , , , , ,

the first week after my full time trauma therapy ended, i did a pretty good job of mostly rest and self care. doing just the basics to get ready for my upcoming exhibits and performances.

last night i slept from 5:30 pm to 10:30am (whoa) and then today my brain could barely chug itself around making a cup of coffee.  i was confused all day and stressed because there were a few small details i had to figure out. i needed to call in a friend to help and now i am ready for the rest of the week, and i can mostly rest. my cognition can still drop out and then i feel like i can’t wrap my brain around much besides cuddling my dogs and making stuff.

i feel a little better now that i made this picture. and wrote this. making stuff is really the only way through for me.

exhausted

Tags: , , , , , , , , , ,

Lisa Anita Wegner is a filmmaker, producer, curator and performer who is accustomed to working in small local art galleries and screening venues in Toronto Canada.  Working with established curator Patrick MacCauley, Wegner got a taste of working large-scale when she was the 26 foot tall Queen of the Parade in front of an enormous audience for Scotiabank’s 2013 Nuit Blanche.

 

 

This led to several seasons working with performance in multi media environments, exploring soundscapes as well as video. In 2014 Wegner played a lead role in a scripted film, her first in six years, acting as the Caucasian Agent in Will Kwan’s http://www.reelasian.com/festival-events/if-all-you-have-is-a-hammer-everything-looks-like-a-nail/ commissioned by Reel Asian International Film Festival. She brought her team back to create  a Ten Foot Queen of the Parade the Partners in Art Annual Fundraiser, which Wegner says felt like her coming out party, meeting the Toronto Art World.

 

“I can’t stop performing. It was a thrill to be back on a traditional film set for Will Kwan just as much as it is to don by Thin(k) Blank Human outfit and perform my deepest soul searching in my studio. I always knew I loved it but now that it’s a daily practise I truly can not stop.”

 

Wegner is known for mentoring several artists and filmmakers per season at her studio Haus of Dada, so it makes sense that she would enjoy the benefits of mentorship herself. In a recent meeting with her Anonymous Mentor Artist, Wegner was told to think bigger and focus on the Male Rockstar Swagger that she developed after STARDUST: Life on Jupiter? at The Black Cat in 2014.

And then came the magic words to Wegner’s ears,

“Follow that swagger and dream a breakout show. I can see a collaboration. There might be an opportunity soon, and I’d work with to bring it to life.”

Wegner and her team are currently preparing to lift the curtain and to prepare the world to meet Thin(k) Blank Human Faceless RockStar. Lisa Anita Wegner wants to make her mentor proud.

-Fritz Snitz for Haus of Dada *The Fictitious History of the Haus of Dada* 2015

Another project from the Haus : Lisa Anita Wegner collaborating with a five year old artist on TARGET:

Tags: , , , , , , , , , , , , , , , , , ,

Target is a piece by Nolan Georgakopoulos

When I undertook curating a series of installations for Gallery 1313’s Windowbox gallery, I made a conscious decision that I wanted to go off the usual path to find some of my artists.IMG_2489

As with the November Windowbox installation This Is What It Feels Like, Target does not come from a traditional source; rather than work with an established artist, I chose to work with a five-year-old boy who had never done anything for public display before.

I’ve known Nolan since he was a baby, and have always been taken with both the originality and specificity of his artistic ideas – for shapes, and colours, and how things fit together – that made him myfirst choice when I wanted to feature a kid’s art in the Windowbox.

With a collection of found objects that I thought Nolan might find interesting, and free reign to create whatever he wanted, what has emerged in Target is a true reflection of him – a self-portrait in a way, that features King and Queen representations of his parents, as well as himself in a Knight’s role.

What was fascinating to me in working with Nolan to create his piece, is that the process was exactly how I might collaborate and communicate with artists of any age. Target may be his first effort to create something for what he calls an “art stadium,” but it’s clear that he’s already tapped into a universal artistic urge.

IMG_2487 IMG_2489 IMG_2490 IMG_2492 IMG_2494

Tags: , ,

on a two week holiday break from full time trauma therapy, i had a profound experience today when i was meditating in the tub. i talked in an earlier posting about meeting ziggy stardust in my meditations (read the post here) and being compelled to do a live transformation at the black cat gallery in toronto in july 2014 called STARDUST: Life on Jupiter (see official site here).

since christmas i had come through a time of feeling super exhausted and my cognition has been dropping out mixed with bouts of very hard sleeping and inspired art making. even when i could barely move, i was compelled to draw with pencils. and then shoot and edit video in my lap:

so today i decided to meditate and consider what if this comfort, confidence and compunction inside my creativity would have come out as a child? and i got a clear vision of myself in public school getting my ziggy on and while this picture is not me, it totally could pass (like the fake puppy pictures of my rescue dogs).

c090e9d933999cbc3065ee65781c2928

i did dress up and start young creative ventures: but i stuck to playing girls. orphans, pioneers and magic nannies were my childhood specialties. and now i feel free to play anything, human or otherwise, on or off the space time continuum. and i’m having way more fun.

img_1388

if i would have found my ziggy then, my current experience would be remarkably different. and just by imagining it, i feel everything opening up. i think i will add being a childhood ziggy stardust: rockstar alien to my fictitious history, and I’d cut a mullet without hesitation. that is when i finally give birth to my artist self in “The Fictitious History of The Haus of Dada” here is a taste of that multi year project. i’m just at the beginning of it.

happy 2015 everyone!

lisa anita wegner

 

 

 

Tags: , , , ,

%d bloggers like this: