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A new chapter of Lisa Anita Wegner's storytelling.

Filmmaker Performance Artist www.mightybraveproductions.com

Category Archives: dada lab experiments

My 2013 Nuit Blanche piece Queen of the Parade curated by Patrick McCauley was a collaboration with Vanessa Lee Wishart which showed my work on an international stage and changed my life. This year is my third and last doing Nuit Blanche, at least for awhile.
TRIANGLE: Ascension into Another Golden Age is my Inner.Space send off.  It is a three location Ascension Experience: Projection/ Sound/ Wind / Performance/ Sculpture +InterGallactic GUESTS. The team has come together so elegantly and while there are always unexpected bumps in the road we are now in the home stretch. I am thrilled to bring this version of TRIANGLE to you. I have been experimenting all year with installations at Belljar Cafe, Moniker Gallery and The Film Buff. Having said that I might take a version of  TRIANGLE to ARTEL PHX next year. 

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Born from a few hard weeks of c-ptsd cognitive problems, this new improved projection light show at The Black Cat is perhaps the most amazing thing I’ve discovered in my experimenting with bending light. I have discovered a new element that takes my projections to another level.

I have an installation of gauzy curtains and netting in a womb shape that the audience enters into. With industrial fans and multiple directional projections in the gauze, when I tested it as part of a local art festival, it was extremely successful despite not being able to hear the healing sound track by Marshall Dragun. So I have a **special sound experience** for The Black Cat: Full Surround Sound brought to you by Sennheiser HDR170 and Haus of Dada.  We are still looking at some rentals for Quadrophonic Surround Sound for The Belljar Cafe, the last and most relaxing of the venues. 

Haus of Dada : The Invitation

The Black Cat: The Experience

Belljar: The Exhalation

 
Carolyn Tripp is my partner in visuals for TRIANGLE. She is the Executive Director of the Parkdale Film and Video Showcase and she will be designing the clear, clean visual environment for Belljar: The Exhale. She will also be designing and executing the TRIANGLE art that will link the locations. 
Marshall Dragun has worked with me all year on the soundtrack. The intent of the sonic accompaniment for TRIANGLE is aimed to re-establishing, in practice, similar principles of intended positive bio-celestial realignments. With the use of binaural solfeggio frequencies and isocrhonic tones, as well as sound samples captured from space, the journey is crafted with base frequencies that are believed by some to have a positive fundamental effect on the human experience and on life as we know it. The sonic journey is tied into the ascension process by moving upward through the scale of the 9 basic fundamental sacred healing tonal frequencies (174Hz, 285Hz, 396Hz, 417Hz, 528Hz, 639Hz, 741Hz, 852Hz and 963Hz). Ascension is ultimately attained by harmonizing the mind,body,soul through one experiencing the entire upward scale of these tones; thus allowing for the re-establishment of ancient celestial realignments ie. The New Golden Age.  Special musical guests are Stephane Vera (pictured) and Aris Plampe. 
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I am also very excited to be working with my TRIANGLE Technicians Wanda MacRae & Daisy Semkiw Blackburn, performers/ who will pull through the portal with me. Tarqin Richards is my intern who will be Inner.Space Videographer. 

My favourite special guest is the glorious artist Steven Joseph who will be my MUSE. I pulled him though my portal into TRIANGLE and he will thrill us with his extra terrestrial beauty and style. Come and catch a glimpse before Steven gets pulled  into another level Super Star Galaxy and we mere humans can no longer reach.

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After getting Steven onboard as guest I thought immediately of Matthew Del Degan’s LOVEBOTS as another addition to this world. I did a group show with Matthew last TIFF and have been in love with his BOTS ever since seeing them in person. I asked him for a full sized 8 foot LOVEBOT for in front of the Haus of Dada and Carolyn Tripp and I were hoping for an army of the small ones to connect the locations on Dundas. Matthew just told me his good news yesterday that since SPACE Network has done a piece on his LOVEBOTS Matthew is now in demand. So no mini LOVEBOT invasion along Dundas… he has bigger robotic fish to fry. I am hoping his project coordinator Roger can get us the original large LOVEBOT for the haus. 
 
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 Freeman Audio Visual’s great sponsorship I realized last week, was not the company but our guy Jason Tremblett. Jason changed us a fraction of the listed rental prices and would slip us additional and give us old equipment. He is on long term medical leave and the new guy assigned to us is a corporate sales person with no interest or understanding art. Jason saw the scope of the amazing work we are doing. New guy sees me as a client who has no money. Sad. He offered me a tiny discount and asked why I would want equipment that I can’t afford. I know it’s common to focus so much on money but I feel sad for Kyle- I asked twice if Jason was ok and he never answered. So I think I will say farewell to Freeman and let them get on in their corporate pursuits.
TRIANGLE collage
So… I have borrowed enough projectors, screens and media players, now I think we’ll just do a simple rental of the Quadrophonic sound set up. Next week is testing everything and set-up lists. Anchors away! Space ships have anchors too.

 TRIANGLE is sponsors by Parkdale Village Arts Collective/ Gallery 1313, Partners in Art, Belljar Cafe, Forever Epic Films, Mighty Brave Productions & Haus of Dada.

Soon the website will include full project details and bios of our team: www.mightybraveproductions.com/triangle

Your until the USA drinks Canada Dry….
Lisa

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Dealing with c-PTSD for me can feel like I am a toddler: at times my cognition and problem solving drop out and I need to get help to do basic things. Like make toast, write a basic email, fill out a form, make a decision. The goal of all my trauma therapy at Women’s College Hospital is to give a toolbox of emotional and physical skills to help you come back from the edge. Basically to not drop out. That’s where the Parenting comes in. I”m now pretty good at seeing and symptoms in advance. And taking lots of time and asking for lots of help. 
 
As my close friends know, the way that I first managed to get out in the world after being too afraid to leave the house for almost two years in (2008-2010) was to feel 100% safe all the time. It was a long slow process of knowing who and what was safe emotionally and who would take the best care of me. And finding that balance I started to create boundaries shutting the rest of the world out. I left the house for medical appointments and friends would come and visit me, often one on one. I chose only those who treasure me to come into my world. As the years went by, I got better and better at choosing the folks in my work and personal circles. I am now surrounded by loving wonderful emotionally aware people who factor my well-being in.
 
So I opened up my world a bit at a time. Adding larger art projects that involved a creative team and choosing folks wisely. No talkers, no big promisers, only folks who come through on promises and finish things. I love finishers and nurturers. Kind and responsible ones. And I started meditating almost every day. From this hard daily work, daily art therapy and trauma therapy at the hospital I have a good balance.
 
I can keep this calm happy rhythm going for weeks. And then at times I am reminded of the S in PTSD. I have a stress disorder. And now that I am super organized, not rushed and not stressed I have a good base of my life’s tasks and my emotional state being under calm control.  When I do encounter routine stress especially when something is important to me, my cognition drops out to scary levels and my problem solving bottoms out to not being sure how to get back home. I have experience this drop out thousands of times since 2008 and each time it is terrifying because without reasoning and cognitive skills the world is terrifying. 
 
http://www.youtube.com/watch?v=v45Wtbk7s6I
Here is an interview with Katie Chats about my therapy art practise
 
So this Nuit Blanche, without city funding I don’t have the budget to hire a producer, like I had last year (I miss you Martin Edralin: who is doing amazing worldwide with his film HOLE). I have produced several small scale installations with the help of friends and interns and I will be fine here too. 
 
If I start to try to think my way into the tasks aggressively I can’t breathe and everything goes white. My body shoots chemicals like I’m getting ready to fight a bear. Fear in the space used to leave me spiralling for weeks and it is unimaginably awful there. And when I poke through the other end I am mentally, emotionally and physically exhausted.
 
But if I meditate myself into the right emotional space and trick myself that I don’t HAVE to do anything, then I usually can circumvent the system. Then feeling freedom from the stress disorder I can problem solve and write emails like a champ.
So the trick is to give myself slack while the clock is ticking on a project. Perspective always helps: it’s an Art Installation, not heart surgery. And I have an amazing concept, a terrific team and wonderful support. Once I get my brain and the Mighty Brave Productions magic back, we can bring to live the best Nuit Blanche experience that the neighbourhood Dundas Roncesvalles has ever seen!
Now I’m meeting Angela Chao, a friend who also started making art because of a brain injury. Our stories are so very different but we have a lot of things in common including symptoms and experiences. We are going to meditate together and look at my notebooks when I was one year in to healing (2009). I’m now six years in.
I do think from this experience I will enlist Sue Edworthy Arts Planning again this winter to see about getting funding to get me a part time producer.
TRIANGLE: Ascension into Another Golden Age is the project I’m referring to.  www.mmightybraveproductions.com/triangle 
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I feel better after writing out the experience.
Onward and upward
Lisa

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Carolyn Tripp (Parkdale Film & Video Showcase) and I co-curate The Window Box Gallery at Phil Anderson’s Gallery 1313. Carolyn’s September’s installation was delayed due to installing new glass in the middle of the month so the space was empty in the interim.
 
I am involved in the Parkdale Art Mentorship Program and I was mentor to Maya Path. Maya came aboard my July projection/ performance exhibition STARDUST: Life on Jupiter as one of my STARDUST Technicians. She worked along with my team and my other intern Tarquin Richards. 
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Maya also assisted me for Queen of STARDUST the closing performance event of the week. And when I fell out of the ten foot dress installation it was Maya who caught me:

10549963_10154455634515521_4601145420103873695_oMaya and I are creatively simpatico and I enjoyed adding her into my art practise. We started formulated an idea of what we wanted to make for the End of Program Exhibition supported by Telus and Gallery 1313. We started playing on video and I found her shooting and her editing worked well with mine. We started working on TRIPTYCH our performance/ projection/ popcorn party installation.

“TRIPTYCH isa collaboration with Maya Path for the Parkdale Artist Mentorship Program. Maya and I created three separate films that will be phasing for the entire exhibition. There are several inflatable glitter balls. Are they are? Are they to play with? Thursday September 4th at 8pm we willperform live with Maya accompanying the films on piano from Halifax via Skype representing the future. I will be there as Mama Dada representing the past. Come into our world and experience TRIPTYCH, kick a disco ball off the time/space continuum and munch some popcorn. You won’t want to leave.”

Maya and I ended up creating a series of videos in preparation:

And it was very fun making the disco ball sculptures:

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For the opening of THE PARKDALE MENTORSHIP SHOW I created an installation based on our mentorship collaboration. Using artifacts from creating TRIPTYCH I made this Window Box Display.
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What a wonderful experience this has been. Maya is at School in Halifax and I have invited her back to collaborate when she is back in Toronto.
Cheers
Lisa,
co-curator Window Box  Gallery1313
owner Haus of Dada.

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During the makeup test for my upcoming performance/ live art making/ projection show STARDUST: Life on Jupiter? makeup artist Wanda MacRae and I created a universe we both wanted to play in.  We talked about the elements that we had in place and with that created a very simple performance based around the haircut, makeup and styling which transforms me into David Bowie’s character Ziggy Stardust in 3.5 hours, covered by entertainment reporter Katie Uhlmann, three go pro cameras and two art video interns that are “Stardust Technicians”.
Soundtrack by Wanda MacRae based on our mutual love of Bowie, Gaga, Boy George and a few other inspirations. My projected Stardust Video Studies will loop on the back wall of the gallery for the entire event.
I enter the gallery at 7pm with my wet hair in a towel, wearing a white lab coat. While my hair is pre dyed under the towel and my eyebrows are pre waxed and drawn on, I look essentially like myself. Wanda, the makeup artist is the “STARDUST Surgeon” as she is responsible for my transformation of my head. Wanda and I met performing with Erotic Nightmare a Rocky Horror Picture Show cast (I was Brad she was Janet) so we inserting a Rocky Horror feel. Our all female surgical crew will be dressed fashionably yet medically and have Wanda’s implements on silver trays. Both STARDUST Technicians are art video interns, they will have matching Canon Cameras and their second job is to record the event as creatively as they see fit. They will have the Stardust Lightning bolt on their faces.
I will sit in a hairdressers chair in the window of the Black Cat Gallery and absorb the feeling of the transformation while Wanda works. Once my hair is cut and styled I will put on one blue contact lens and partially dress under the lab coat, for the makeup portion.
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To build toward the ending, the white face powder will be brought out on a mirror by one STARDUST Technician while the second technician brings be a carton of whole milk. During the time Bowie was Stardust he imbibed only cocaine and whole milk. My white powder is face powder but that doesn’t mean we can’t cut it with a credit card. And I will be handed the whole milk, a treat for me once I’m STARDUST complete. I’m hoping Maha Richi, a stylist I’ve known since high school who is dressing me will be able to be there to put jacket/  the final touches on me for the cameras.
The STARDUST Technicians will countdown and pop glitter canons to signify the transformation is complete. I will mingle for the rest of the evening enjoying my milk after my Stardust Surgery.
Off all the wonderful work I have had the privilege of doing in recent years, this is what I’m most excited for. To see how it feels and how the world treats me when I have an orange mullet and no eyebrows.
The rest of the week I’ll be pulling my art practise from The Haus of Dada into The Black Cat gallery 2-6pm. Also by appointment in the evenings. I invite to come watch, play, interact, co- create or just look through the window while I play, shoot, edit, score and project as I work.
Wanda and I doing makeup test.

Wanda and I doing makeup test.

Closing party I’ll be Ten Foot Tall Queen of Stardust, with glorious rainbow gown by Vanessa Lee Wishart and video legs by Forever Epic Films.

Sneak peek at Vanessa Lee Wishart’s glorious rainbow gown for closing party

Thanks everyone who has helped me bring this to life.
Cheers and as always thanks to David Bowie himself, the quintessential artist mentor.
xo Lisa Anita Wegner

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I tell people all the time that I meditate but so far I’ve laid pretty low about my meditation buddy Ziggy Stardust.  It sheds light on my fascination, for those interested in such shedding.

Lately in my meditations when I look in a mirror I see a mashup of myself as/and Ziggy Stardust. It feels like the most natural thing in the world to have him lounging emanating pure pleasure and joy. This is in a meditation space where usually there is blank slate. I have a wild imagination but have tamed it diligently over the years- I’m pretty good at clearing my mind and creating a blank scene.  When outside chatter quiets and I’m able to hear myself Stardust is there I let him sit. Sometimes he offers a comment but often is silent looking at me knowingly.
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I’ve been compelled into creative action by this character more than an I ever expected.  I dig Bowie but it’s his 1973 spaceman rock god that has my imagination hostage recently. I started to get a sense that somehow I was seeing an unexplored aspect of myself.  I became compelled to try him on for size.
At Andrew Williamson’s gallery The Black Cat on July 31st 2014  I will perform a live transformation. Wanda MacRae hair and makeup artist will make the magic while I experience it. She will dye, cut and make me up replicating the Life on Mars video. Ouchy eyebrow removal also onsite. Of all the awesome  upcoming work, I am the most excited about his.
After we have some matching footage of the LOM video I’m going to figure out the next step. The rest of the week I’m editing live and filming in the gallery basically moving my art practise into a public space. Want to know how I make what I do, here’s your chance.  I just now realized I want to set up a go pro all week. I also have a second Stardust transformation happening on a lovely fellow in my life who looks like Bowie thus we will shoot Stardust on Stardust, the crescendo of the ultimate creative wank. Incidentally one of my dogs looks like the canine from Diamond Dogs album over so some half dog half human action is terrifyingly in order.
In 1973, the year that I was born David Bowie lived as Stardust for one year. I love that he knew the perfect length for an alien rockstar to live and killed him off in his prime. So somehow in 73 that poked into my imagination’s DNA.  I  have no idea where this is going to go, but I can’t wait to see the world treats me sporting the Stardust.

I declare myself officially part of the huge pool of artists inspired by the space man himself. Thanks Zig. Thanks Bowie. I am so excited to see where this door takes me and I’ll see you on the other side.
Now back to prepping video content for a group show UNDER NEW MANAGEMENT and then dodging raindrops with the diamond dogs.
LalalalaLisa
LAW of Transformation:
Stardust:
Life on Jupiter
the law of ziggy

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My stories come out clear, focussed, on track and on fire. I can’t believe how satisfying my day to day  life has become.  I am able to keep on a steady creative train and keep it moving slowly and surely. My bodies of work are merging and they feel flesh and blood real to me. I feel peaceful calm every day and nothing is nothing more important to me anymore than my own well being. I know exactly what I have to do. I see my plans, my collaborations, my shots, my images, feel the feelings. I am a blessed artist- a creator of worlds.

As I have since I got sick, I get hit by crippling exhaustion that knocks me right on my back when I push myself. I’m getting better at listening to my Spidey senses and taking care of things before they hit exhaustion and cognitive slippage. Since late last week I was incapacitated, moving from one piece of furniture to another, trying to muster the strength to buy groceries or take my dogs out. I feel like five years later I should be better at managing this, and I have to remember how far I have come. And with a stress disorder my chemicals shoot powerfully and my guidance system when it wants me to stop, it screams at me and knocks me to the ground.

And while this feels like a cruel blessing sometimes, I can’t ignore my inner voice. After trauma I find my inner voice yells. It’s yelling “take exquisite care of yourself” and now I am an overprotective mother to myself, sending myself home to rest when I need.

I was intending to write a bit about my bodies of work, to clarify them for myself but I don’t have it in me today.

I have a few errands to run for Queen of the Parade 2014, my next installation that will be at ARTRageous In Motion Fundraiser in Toronto in two days. Tomorrow I have marked a day of rest and recharging my batteries in preparation.

 

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Off to take care of myself and make final preparations
Cheerios and love
Lisa Anita Wegner
 

 

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I am thrilled to bring one facet of  the TRIANGLE ascension experience to the opening of DIGITIZE, a show running at Moniker Gallery March 6-12. Come March 6th 7pm -11pm see all the art and ascend with me in my multi projector experience.

Here is a taste of the inaugural blastoff that was Feb 1st at Belljar.


TRIANGLE is a three location ascension experience with blastoff being October2014. The triangle is an ancient symbol used to meditate on ascension, as a conduit for higher energies, and as a cosmic aerial to receive the frequency of a higher realm. A triangle opens your third eye. Come be a part of 3 distinct sound and projection environments with timed performances by the artist who will be your Guide, ensuring your comfort during your intergalactic travel. The TRIANGLE will be located between 2186 Dundas -an art hub- The Belljar Bar and Cafe -a social hub- and Lisa Anita Wegner’s studio -an imagination hub- which closes the triangle.

Come and experience TRIANGLE, where everything mundane will be transformed into the marvelous. As all space and time exist in one moment, travel in and out is accessible to those who use the vehicle of the triangle.

Born from my Dada dream lab experiments, TRIANGLE began with the notion that with imagination, the mundane can transformed into marvellous. The various video images start with mundane footage, a flower, my feet walking, a few seconds of an octopus shooting ink. Through layering and playing with timeline I create what I call video studies. They are an everyday part of my art practise, a visual diary.

My art practice has a focus on re-birth, redemption, transformation, and process work, using a multi-media approach that fearlessly probes for the truth, richness and hard-won lessons from my personal journey over the past half-decade that has confonted me with extraordinary difficulties. Emerging from my personal darkness, I have come to love rhythm and repetition both on and off beats; as well as the beauty and possibilities of found objects – even with technology.  I work with a pastiche of donated equipment, and have embraced both the imperfections and new creative possibilities that result.

While spending time at three venues, I noticed that my studio, The Belljar Cafe, and 2186 Dundas gallery were located in a triangle. When I started researching the three-angled shape, TRIANGLE was born.

I am experimenting with a performing persona who lives outside the space/ time continuum. For TRIANGLE she will be the Guide, walking earthlings from one venue to another while performing in each projection once every hour. She wears a dress made from da-lite project screens and all her exposed skin is covered with white makeup.

the law of ziggy

My current body of work includes Dada Lab Experiments in which a multimedia “history” is created through spontaneous exploration for both myself and Haus of Dada, my studio. A silent black and white film titled Sunbathing on Mars 1916 is the backbone of this multi-year project. This for me is the ultimate creative freedom. As a trauma survivor, there is something cathartic in the ability to recreate myself and revise my history; and now TRIANGLE will be the first stage in inventing my future.

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my regular projection crew are not available for an event i need help with. vonliptov is an event hosted by marshall dragun and is on february 1st. does working with digital art projections interest you? please read on! when: february 1st at bell jar cafe 2072 dundas street west at howard park ave. projections from 10pm to 2am and then help getting equipment back after just one block away.

i am looking for someone who knows MAC computers and projectors and can problem solve on their feet. someone who can be there for entire time for february 1st. the system is currently set up in my close by studio- wednesday through saturday i’ll be testing it here. on feb 1st i’m moving the whole thing to the venue. i will be there for set up but for the night i am needed at two other events. i would be constantly available by phone. it is a three projection set up using two walls and one rear projection screen. there are two separate hour and half playlists. the system needs babysitting especially because of a pastiche of equipment which often needs tweaking and creative problem solving. i’m adding a video here of the partial set up to give a sense of what i’m doing with chasing images. belljar is a great venue and the vonliptov folk are super cool.

this is a fundraiser for parc -the parkdale activity recreation centre- so there is no money involved. if things work out i am also looking for a new ongoing film/ art intern for my ongoing projects in 2014. www.mightybraveproductions.com to see what kind of work we do

intern or just come out for the one night and help me out . have an excellent week everybody! please pass this along…

lisa

if you are interested please use contact form below:

dada stamp

 

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I have found such ultimate freedom and creativity in rewriting my history. Having Tobias Funke murder the real me is opening up the universe. My art flows through Mama Dada and I can’t wait to see what kind of child she raises. I now envision a Dada Nation, a place that my family builds where no linear timeline exists and all the rules are broken.

Mama Dada was an old child and every day she is getting younger. Papa Dada is so in love with her.

dada stamp

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in-the-moment story creation is the most fun thing i can imagine. i am totally hooked. i lose myself completely in all parts of the process. with an idea of the direction i’m going based on intuition, images and feelings. i find half in the moment of shooting and half during picture and sound editing. i usually see a couple of steps ahead but those can change based on what i find in the moment. while i tend to have a clear idea of what i am looking for, i surprise myself with sometime finding more authentic, unexpected or wilder than i imagined. like mama dada having two heads on occasion.

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i see clearly what i am shooting tomorrow, therefore, i know i’m on the right track. i am actually compelled to start shooting right now fifteen after midnight, but slow is my new fast. enjoy the time to play create and i a learning to take a breath in between.

your ’till the usa drinks canada dry
lisa anita wegner

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