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A new chapter of Lisa Anita Wegner's storytelling.

Filmmaker Performance Artist www.mightybraveproductions.com

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“I am working on a performance film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a piece in which I tell the truth with my body. I am very excited about this work.”

After speaking at Open Show Toronto about two of my therapy videos I have become even more aware of the clear path my body of work is taking.

I created the Fictitious History of the Haus of Dada as a therapeutic art practise and the bulk of my film and performance work has stemmed from it. After using persona and then the Dada movement as parameters I now feel compelled to strip everything down and tell my story with my body. I’ll talk a bit about that in a moment.

I started here in 2008 when I was still very sick. I made this Eva and Bobby video series in my home with iMovie and started to find my voice

 

 

 

Mama Dada was going to host the installation but that didn’t feel right. Thin(k) Blank Human was born that night.

The work progressed with a library of videos like Marry The Night

A Collaboration with Steve Weiss and Leslie Barton

A solo performance at The Mod Club in Toronto

Thin(k) Blank Human: Metamorphosis is a performance piece by artist Lisa Anita Wegner (haus of dada) and musician Ray Cammaert (Pink Moth). It began as an extension of Wegner’s Trauma Therapy and represents a safe place in the search for one’s self after complete annihilation. It is both a confirmation of vitality and a call to action. The piece explores male and female layers of the neutral self and uses vibration of sound to assist in the expression of terror, hysteria, madness, resilience and joy on the journey to re-birth.

 

After this metamorphosis I realized that I will always continue to embody Thin(k) Blank Human but as for my personal artistic through line I have come through the structure of relying on artifice to find authenticity. My current work is based in realigning my chronically tight psoas muscles which have caused a leg length discrepancy and making my physical body unstable and chronically crooked. After going to a stretch class of Mary-Margaret Scrimger’s at Pursuit I understood the power of stretching my body and how I felt different immediately. Now every day I stretch for at least 10 minutes, some studio days I stretch up to three hours. In this stretching and realignment I am finding myself and who I really am as an artist without all the performance bombast that I so enjoy.

I am working on a nude performance / film series called Metamorphosis Human Realignment. This physical stretching practise has changed my life and now through that doorway I am creating a performance to tell the truth with my body. I am very excited about this work. It’s also the first time I am not sharing as I go.

LAW

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Akhilanda Collaborative is a new creative collective based in Toronto Canada. It began with a circus and film collaboration for MASHUP, a Hercinia Arts Collective Event curated by Kirsten Leila Edwards. Click the link to read the story of how “the way back home” came together and who is involved.

Read about the original collaboration for a Hercinia Art Party

Here is a teaser of “the way back home” Day of Delight performance shot and edited by Tarquin Richards.


“the way back home” at Dufferin Grove Day of Delight 2016 from Lisa Anita Wegner on Vimeo.

I felt a deep therapeutic need to continue to collaborate with this group. We truly are more than the sum of our parts. When we decided to move ahead we were stuck for an organization name. It was because we were missing someone. As well as Ashley Hurlock, Tamara Arenovich, Lisa Anita Wegner and Ray Cammaert we added Mary-Margaret Scrimger. Here she is below.

And then we were complete. We immediately started a steady stream of creative projects. Live performances, large scale art installations and films. For me this is the ideal addition to my therapeutic art practise. A group who is creatively open, nurturing and understands the emotional landscape. This is work that heals me.

portrait of mary-margaret from Lisa Anita Wegner on Vimeo.

I wanted to post some teaser images and a video study from our blue screen shoot of the other day. Projects will be announced here and on our Facebook page.
https://www.facebook.com/AkhilandaCollaborative/?fref=ts

the universe in her underpants from Lisa Anita Wegner on Vimeo.

I’ll write more soon and share more about our process. I’ll also write a little about the Goddess Akhilanda. Here are a few more images of what we are up to.

Lisa Anita Wegner
Akhilanda Collaborative
Mighty Brave Productions
haus of dada.

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Lisa Anita Wegner

Lisa Anita Wegner

Dear Gaga,

My name is Lisa and I am a filmmaker, performance artist, curator, storyteller, light bender and space/time traveller. You inspire me tremendously, and I am writing to express my appreciation for what you have sparked in my work, beginning with Queen of the Parade, my first large-scale performance/fashion/video installation and the work that put me on the map as an artist. 

Rise and Fall of The Queen of Jupiter 2016

Rise and Fall of The Queen of Jupiter 2016

 

In 2008, I had hit hard times – I lost my film production company, all my savings, my heart and my mind. I collapsed getting to the Cannes Film Festival in 2008 and spent the next two years largely unable to function. In the Trauma Therapy Department of Women’s College Hospital, I found art therapy. I started a daily art-making practice that saved my life. I had gone offline and expressing myself in art and video was my lifeline, my communication with the outside world.

I remember the exact moment the idea for Queen of the Parade was born: I was walking my dogs and listening to “Marry The Night” after I had been binging on the BBC Series My Big Fat Gypsy Wedding. (I am obsessed with the gloriousness of Gypsy Fashion.)

That night, hearing your lyrics, “I won’t give up on my life/I’m a soldier to my own emptiness/I’m a winner,”  affected me profoundly, and set something inside me aflame. In a flash, I pictured myself as an enormous woman in a huge dress with a video screen on the front, with your song resounding in my head. I rushed home and wrote everything down in a crazy, inspired burst. This was the first step toward the 26-foot installation that was part of Toronto’s Nuit Blanche in 2013; during the event itself, I listened to “Marry The Night” on repeat with ear buds while I was twenty feet in the air.


This led to my first commission by Partners in Art, who commissioned a gallery-sized 10-foot Queen. This was a terrific experience that enabled to connect more directly with the audience, and I didn’t want the performance to ever end. 

 


Something was awakened in me and this led to a whole body of work of experimenting on and off the space/ time continuum and speeding up and stretching out moments. I could finally breathe; I felt like I had come alive.


My new performing persona Think(k) Blank Human was born the following Nuit Blanche in Toronto as part of my installation TRIANGLE. I found comfort in her skin, and really came out of myself as a performer.

In 2016, I will be creating The Fall and Rise of The Queen of Jupiter, which feels like the natural progression of my work. This time, I will be kicking off my high heels and putting on Thin(k) Blank Human’s space boots, and I shall rise from a pile of fabric into a 40 foot Alien Queen. Instead of strutting, I will run and dance.

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This performance piece will run 33 minutes and I would love permission to use extended versions of “Marry The Night,” “ARTPOP” and “Applause” as the soundtrack for the ascension. 

I am approaching Thelma Madine, the Gypsy dressmaker from the series, to design the Queen of Jupiter’s Gown, and I would love to have  permission to use those three songs.

This is my story of re-invention, and I feel like this is the first piece I’m presenting that is truly me. I’ve been searching for authenticity through artifice and I finally have landed on something. I feel extremely compelled toward this project. For women who have crashed and burned and for those of us who have gotten up, I feel it is our job to inspire others to get up and stand as tall as we can. You preach this every day, and this is one of the many reasons for my unbridled admiration.

Please let me know your thoughts me using your music for The Fall and Rise of The Queen of Jupiter in 2016.

An ocean of appreciation from my Haus to yours,
Lisa 

Mighty Brave + Haus of Dada, Toronto
bosslady@mightybraveproductions.com

p.s. Thin(k) Blank Human did many a cover of Marry the Night, she was so inspired.

 

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February 23 2015 Fritz Snitz for the haus of dada

Canadian Filmmaker Performance Artist, Lisa Anita Wegner was curiously missing from the opening party of Phil Anderson’s Sex Show V at Gallery 1313 on Queen Street West.

Still from Eva Gets a Better Job (2008)

Still from Eva Gets a Better Job (2008)

This group art show includes Eva Gets a Better Job (2008) a short film of Wegner’s. The opening on January 19th was a booming success and it was a shame the artist wasn’t there.

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Curator Fritz Snitz announced was forced to perform  (mī′grān′) at haus of dada in Toronto and was unable to make the Gallery1313 event.   (mī′grān′) performance poster

The Following day Ms. Wegner performed as Thin(k) Blank Human “Tech Scout for The Fall and Rise if The Queen of Jupiter” at Walker Court at The Art Gallery of Ontario. Afterward she teleported to The Artist Project. Photos by Angela Chao.

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The Artist Project with Adrienne Dagg

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Coming soon: Thin(k) Blank Human BadAss.
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Lisa Anita Wegner is a filmmaker, producer, curator and performer who is accustomed to working in small local art galleries and screening venues in Toronto Canada.  Working with established curator Patrick MacCauley, Wegner got a taste of working large-scale when she was the 26 foot tall Queen of the Parade in front of an enormous audience for Scotiabank’s 2013 Nuit Blanche.

 

 

This led to several seasons working with performance in multi media environments, exploring soundscapes as well as video. In 2014 Wegner played a lead role in a scripted film, her first in six years, acting as the Caucasian Agent in Will Kwan’s http://www.reelasian.com/festival-events/if-all-you-have-is-a-hammer-everything-looks-like-a-nail/ commissioned by Reel Asian International Film Festival. She brought her team back to create  a Ten Foot Queen of the Parade the Partners in Art Annual Fundraiser, which Wegner says felt like her coming out party, meeting the Toronto Art World.

 

“I can’t stop performing. It was a thrill to be back on a traditional film set for Will Kwan just as much as it is to don by Thin(k) Blank Human outfit and perform my deepest soul searching in my studio. I always knew I loved it but now that it’s a daily practise I truly can not stop.”

 

Wegner is known for mentoring several artists and filmmakers per season at her studio Haus of Dada, so it makes sense that she would enjoy the benefits of mentorship herself. In a recent meeting with her Anonymous Mentor Artist, Wegner was told to think bigger and focus on the Male Rockstar Swagger that she developed after STARDUST: Life on Jupiter? at The Black Cat in 2014.

And then came the magic words to Wegner’s ears,

“Follow that swagger and dream a breakout show. I can see a collaboration. There might be an opportunity soon, and I’d work with to bring it to life.”

Wegner and her team are currently preparing to lift the curtain and to prepare the world to meet Thin(k) Blank Human Faceless RockStar. Lisa Anita Wegner wants to make her mentor proud.

-Fritz Snitz for Haus of Dada *The Fictitious History of the Haus of Dada* 2015

Another project from the Haus : Lisa Anita Wegner collaborating with a five year old artist on TARGET:

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on a two week holiday break from full time trauma therapy, i had a profound experience today when i was meditating in the tub. i talked in an earlier posting about meeting ziggy stardust in my meditations (read the post here) and being compelled to do a live transformation at the black cat gallery in toronto in july 2014 called STARDUST: Life on Jupiter (see official site here).

since christmas i had come through a time of feeling super exhausted and my cognition has been dropping out mixed with bouts of very hard sleeping and inspired art making. even when i could barely move, i was compelled to draw with pencils. and then shoot and edit video in my lap:

so today i decided to meditate and consider what if this comfort, confidence and compunction inside my creativity would have come out as a child? and i got a clear vision of myself in public school getting my ziggy on and while this picture is not me, it totally could pass (like the fake puppy pictures of my rescue dogs).

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i did dress up and start young creative ventures: but i stuck to playing girls. orphans, pioneers and magic nannies were my childhood specialties. and now i feel free to play anything, human or otherwise, on or off the space time continuum. and i’m having way more fun.

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if i would have found my ziggy then, my current experience would be remarkably different. and just by imagining it, i feel everything opening up. i think i will add being a childhood ziggy stardust: rockstar alien to my fictitious history, and I’d cut a mullet without hesitation. that is when i finally give birth to my artist self in “The Fictitious History of The Haus of Dada” here is a taste of that multi year project. i’m just at the beginning of it.

happy 2015 everyone!

lisa anita wegner

 

 

 

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Call for Submissions: GALLERY1313 (http://g1313.org)

Lisa Anita Wegner, who has always loved unexpected sizing, is looking for extremely small art of any medium for TINY: a group exhibit which will on display for a month entirely in the Windowbox at 1313 Queen Street West. Please submit a jpeg with dimensions or the existing or proposed pieces.

Call for Performance Artists HAUS OF DADA: (www.mightybraveproductions.com)

Looking for a tall (6’2”+) slim male performer to perform with Thin Blank Human. Send us a picture, your height and performing experience.
http://lisaismightybrave.com/2014/10/31/performance-artists-perceived-gender-affects-audience-reaction/

Please contact Matthew or Patrick at hausofdadatoronto@gmail.com with TINY or THIN BLANK HUMAN as the subject line.

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